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''For other usages see Theatre (disambiguation)
Theatre or theater (Greek "theatron", "θέατρον") is the branch of the performing arts concerned with acting out stories in front of an audience using combinations of speech, gesture, music, dance, sound and spectacle — indeed any one or more elements of the other performing arts. In addition to the standard narrative dialogue style, theatre takes such forms as opera, ballet, mime, kabuki, classical Indian dance, Chinese opera, mummers' plays, and pantomime.

Overview of theatre


"Drama" (literally translated, Action, from a verbal root meaning "I do") is that branch of theatre in which speech, either from written text (plays), or improvised is paramount. "Musical theatre" is a form of theatre combining music, songs, dance routines, and spoken dialogue. However, theatre is more than just what one sees on stage. Theatre involves an entire world behind the scenes that creates the costumes, sets and lighting to make the overall effect interesting. There is a particularly long tradition of political theatre, intended to educate audiences on contemporary issues and encourage social change. Various creeds, Catholicism for instance, have built upon the entertainment value of theatre and created (for example) passion plays, mystery plays and morality plays.

There is an enormous variety of philosophies, artistic processes, and theatrical approaches to creating plays and drama. Some are connected to political or spiritual ideologies, and some are based on purely "artistic" concerns. Some processes focus on a story, some on theatre as an event, some on theatre as a catalyst for social change. According to Aristotle's seminal theatrical critique Poetics, there are six elements necessary for theatre. They are Plot, Character, Idea, Language, Song, and Spectacle. The 17th-century Spanish writer Lope de Vega wrote that for theatre one needs "three boards, two actors, and one passion". Others notable for their contribution to theatrical philosophy are Konstantin Stanislavski, Antonin Artaud, Bertolt Brecht, Orson Welles, Peter Brook, Jerzy Grotowski.

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Theatre :: Performing Arts
Theatre :: Arts and Entertainment
Teatro :: Arti Sceniche

 
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NYT > Italy

Attacks on Foreign Tourists Stir Crime Debate in Italy
By ELISABETTA POVOLEDOOpposition lawmakers leapt on the episodes as showing that the government’s stance on crime and illegal immigration had been little more than window dressing.
At Conference on the Risks to Earth, Few Are Optimistic
By ANDREW C. REVKINThe goal of the conference is to foster “a science without secrets and without borders,” mixing disciplines and cultures, in the hopes of propelling breakthroughs.
Spotlight on Local Laws Turns La Dolce Vita a Bit Sour
By ELISABETTA POVOLEDOWhat began as a bit of summer fun in the Italian news media spun into an incident after a London newspaper wrote: “Tourists beware: if it’s fun, Italy has a law against it.”
U.S. Tops Germany to Secure Spot in Men’s Water Polo Semifinals
By PETE THAMELWith an 8-7 victory, the United States staved off elimination and completed its stunning run by winning its group.
Drink Outside the Box
By TYLER COLMANWine in a box makes sense environmentally and economically. Vintners in the United States would be wise to embrace the trend that is slowly gaining acceptance worldwide.
A Caesarland for Rome?
By JULIE BLOOM; COMPILED BY BEN SISARIOThe city of Rome has announced plans to build an expansive theme park just outside its limits.

 
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ASC - Italian association of set designers, costume designers and set decorators. Introduction in English outlining the aims of the group.

404 Burcardo Library and Theatre Collection - Reference library established in 1932 and holding several major collections and archives. Details of the collections, activities and performing arts links. In English and Italian. Rome.

The Living Theatre - Centro Living Europa - Workshops and theatrical group in Rocchetta. Offers workspace, library, bedrooms and facilities for 15 people. The group creates plays which depend on the direct participation of the audience for the outcome.

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